On the first day of 2014 i set myself to writing something about Ernest Fenollosa and a little about his part in the tale of the tribe. Enjoy, Make it NEW. x steve fly
"Ezra Pound was no starnger to Oriental art when he met Mary McNeil Fenollosa, the widow of the American Orientalist Ernest Fenollosa (1853-1908), in London in late September 1913."--Zhaoming Qian, Orientalism and Modernism (1994) pg. 9.
Fenollosa 2014 and TTOTTby Steve Fly
"Fenollosa [1853-1908], wrote an essay on
"The Chinese WrittenCharacter as a Medium for Poetry" which vastly influenced
Ezra Pound and, through Pound, modern poetry generally;
said essay also anticipates some formulations of General Semantics
and NeuroLinguistic Programming [NLP], and foreshadows
modern critiques of "linear" and "alphabetical" thinking. --Robert Anton Wilson, Recorsi 2005.
Ernest Fenollosa (1853-1908) found a place in the chain of human innovation, and the lineage of modernism as defined by Dr Robert Anton Wilson in his unfinished project called 'the tale of the tribe'. Please read some of my others posts trying to get at TTOTT and what it all means to me.
When compared with other characters from TTOTT Ernest Fenollosa seems a rather strange addition at first glance, hardly any of the Wilson readers i know hold Fenollosa to be as influential in defining TTOTT as say, Pound, Joyce or McLuhan. At the same time Fenollosa is rarely noted as an influence on RAW, in any writings i have found, which says something about the focus on RAWs subject matter, opposed to his hologramic prose style, or his specially hand-crafted Robert Anton Wilson language that weaves together signs, symbols, equations and primary experiences into the magical texts he left behind for us to meditate upon.
PLEASE READ ON:
FATTENING BLOGS FOR SNAKES 2014