White Panther Party coming home to Ann Arbor, 40 years after bringing John Lennon to town in aid of John Sinclair
Related story: John Sinclair recalls impact, importance of Freedom Rally
They came from all over.
Runaways, university students, traveling counter-culture scenesters. And they all found a home away from home in two enormous houses on Hill Street, where they made a lot of noise, talked a lot of revolution, smoked a lot of grass and caused quite a stir around sleepy little Ann Arbor.
White Panthers at 1520 Hill St., Ann Arbor, 1970
photo by Leni Sinclair
Once again, they’re coming from all over.
“We realized that we were starting to lose some of our friends from those days,” said Anne LaVasseur-Mullen, one of the reunion’s organizers, who moved to the commune on her seventeenth birthday in November 1970. “I really wanted to do this as a tribute to the family we had back then, because we really did some crazy and incredible things.
“I think it’s important that we have a chance to look each other in the eyes before we go over that hill for the last time.”
Talk to former members of the White Panther Party for more than a minute or two and that word keeps coming up: family.
“We made lifelong friends,” said Peggy Bach. “They were all like our brothers and our sisters.”
In fact, Bach was drawn to the party’s house at 1510 Hill Street, because her older brother, Skip Taube, was hanging out there. It’s where she met her husband, Frank Bach, who was then the lead singer in the popular local band The Up, which was also based out of the houses on Hill Street.
“In my case, it really did turn into family.”
The White Panther Party, which was named for its self-declared alignment with the Black Panther Party, arrived in Ann Arbor after Sinclair’s Detroit Artists Workshop commune was squeezed out of Detroit in the wake of the city’s riots.
In bucolic Ann Arbor, just as the anti-Vietnam War movement was fomenting here, Sinclair and his comrades—including the revolutionary rock band MC5, which Sinclair managed—found a perfect environment for a unique social experiment.
“It was a very heady, interesting time, with free concerts in the park and communal living … the whole thing,” said David Fenton,
who arrived in 1971 as a 19-year-old freelance photographer and
immediately fell in with Sinclair. “It was a very intense, almost
magical time, when we were all so young and so earnest.”
But as the White Panthers’ profile began to rise, Sinclair became a
target of the status quo. He was arrested in 1968 for giving two joints
to undercover narcotics officers. It wasn’t his first offense, and the
system made an example of him, slapping with a 10-year sentence under
the state’s stiff narcotics laws.
Immediately, the Panthers, led by Sinclair’s wife, Leni, and brother, David, swung into action—organizing a series of concerts and guerilla actions designed not only to raise a defense fund for Sinclair, but also public awareness of his situation.
“As crazy as it was, we were a pretty organized bunch,” Peggy Bach recalled. “There were a lot of different aspects to the whole thing, all of which were designed to bring attention to the cause.”
And all of which led up to the Freedom Rally. If Sinclair is the defining figure of the White Panther Party, then the Freedom Rally is its defining event—even more so than Panther official Pun Plamondon’s alleged bombing of the CIA recruiting office on campus.
This wasn’t just some concert in the park. This was the big time, featuringl John Lennon and Yoko Ono, Stevie Wonder, local hero Bob Seger, folksinger Phil Ochs, poet Allen Ginsberg, Black Panther leader Bobby Seale, jazz giant Archie Shepp and countless other bands, poets and counter-culture figures.
As members recalled, the Feedom Rally was shaping up to be yet another in a series of low-key events, until Yippee leaders Jerry Rubin and Abbie Hoffman convinced their pal John Lennon that he should come to Ann Arbor in support of Sinclair’s release.
Lennon and Ono eventually agreed, leaving organizers just two weeks to get a show together that would be worth of a visit not only from a former Beatle, but one who would be performing live in the U.S. for the first time since the band’s demise.
“Needless to say, this was a very big deal,” Lavasseur-Mullen said.
Fenton, who by now had begun running publicity for the Panthers and their de-facto newspaper, The Arbor Sun, was among those who swung into action.
“I was the guy who called all the radio shows to make the announcement,” he said. “No one could believe it was really happening.”
In fact, no one was really willing to believe it was true until Lennon and Ono arrived in town.
Just a year after arriving in Ann Arbor, Lavasseur-Mullen found herself serving as one of the show’s two MCs.
As gender equality wasn’t as high on the Panthers’ list as reforms to the status quo, she said she was consigned to announce the show’s lesser acts, while her male counterpart got to announce the big names.
“Still, standing up in front of 10,000 people was a really big deal,” she said. “That was a lot of people to be looking out at as an 18-yea- old.”
Although everyone’s recollections are pretty fuzzy after 40 years, among other factors, (“I remember all these people breaking out literally pounds of pot in the audience,” Fenton said) they all agree that the concert was long. Too long.
Lennon and Ono didn’t hit the stage until well after 3 a.m., at which point they performed a short set, including the tune “John Sinclair,” which the former Beatle wrote for the occasion.
“We came here not only to help John and to spotlight what's going on, but also to show and to say to all of you that apathy isn't it, and that we can do something,” Lennon said on stage. “"Okay, so Flower Power didn't work. So what? We start again."
Ironically, just before the concert, the Michigan State Senate approved a bill that would exclude marijuana from the state’s narcotics code and cut the penalties for marijuana use from 10 years to 90 days. The Senate also agreed to reconsider existing convictions.
Still, when Sinclair was released from prison the following Monday, it was hailed as a victory of the people over “The Man.”
Indeed, it was more likely the result of some really groovy timing.
“It was the culmination of so many things we’d been doing,” Peggy Bach recalled. “It seemed to us as if we’d really made it happen.”
Now, this Friday, former White Panther Party members and associates will
reunite in the Michigan Union Ballroom. In addition, the Ann Arbor
District Library has organized a series of events to commemorate the
40th anniversary of the Freedom Rally.
Talk to former members of the White Panther Party for more than a minute or two and that word keeps coming up: family.
“We made lifelong friends,” said Peggy Bach. “They were all like our brothers and our sisters.”
In fact, Bach was drawn to the party’s house at 1510 Hill Street, because her older brother, Skip Taube, was hanging out there. It’s where she met her husband, Frank Bach, who was then the lead singer in the popular local band The Up, which was also based out of the houses on Hill Street.
“In my case, it really did turn into family.”
The White Panther Party, which was named for its self-declared alignment with the Black Panther Party, arrived in Ann Arbor after Sinclair’s Detroit Artists Workshop commune was squeezed out of Detroit in the wake of the city’s riots.
In bucolic Ann Arbor, just as the anti-Vietnam War movement was fomenting here, Sinclair and his comrades—including the revolutionary rock band MC5, which Sinclair managed—found a perfect environment for a unique social experiment.
Free concert in the park, Ann Arbor, 1972.
Photo by Leni Sinclair
Immediately, the Panthers, led by Sinclair’s wife, Leni, and brother, David, swung into action—organizing a series of concerts and guerilla actions designed not only to raise a defense fund for Sinclair, but also public awareness of his situation.
“As crazy as it was, we were a pretty organized bunch,” Peggy Bach recalled. “There were a lot of different aspects to the whole thing, all of which were designed to bring attention to the cause.”
And all of which led up to the Freedom Rally. If Sinclair is the defining figure of the White Panther Party, then the Freedom Rally is its defining event—even more so than Panther official Pun Plamondon’s alleged bombing of the CIA recruiting office on campus.
poster by Gary Grimshaw
Lennon and Ono eventually agreed, leaving organizers just two weeks to get a show together that would be worth of a visit not only from a former Beatle, but one who would be performing live in the U.S. for the first time since the band’s demise.
“Needless to say, this was a very big deal,” Lavasseur-Mullen said.
Fenton, who by now had begun running publicity for the Panthers and their de-facto newspaper, The Arbor Sun, was among those who swung into action.
“I was the guy who called all the radio shows to make the announcement,” he said. “No one could believe it was really happening.”
In fact, no one was really willing to believe it was true until Lennon and Ono arrived in town.
Just a year after arriving in Ann Arbor, Lavasseur-Mullen found herself serving as one of the show’s two MCs.
As gender equality wasn’t as high on the Panthers’ list as reforms to the status quo, she said she was consigned to announce the show’s lesser acts, while her male counterpart got to announce the big names.
“Still, standing up in front of 10,000 people was a really big deal,” she said. “That was a lot of people to be looking out at as an 18-yea- old.”
Although everyone’s recollections are pretty fuzzy after 40 years, among other factors, (“I remember all these people breaking out literally pounds of pot in the audience,” Fenton said) they all agree that the concert was long. Too long.
Lennon and Ono didn’t hit the stage until well after 3 a.m., at which point they performed a short set, including the tune “John Sinclair,” which the former Beatle wrote for the occasion.
“We came here not only to help John and to spotlight what's going on, but also to show and to say to all of you that apathy isn't it, and that we can do something,” Lennon said on stage. “"Okay, so Flower Power didn't work. So what? We start again."
Ironically, just before the concert, the Michigan State Senate approved a bill that would exclude marijuana from the state’s narcotics code and cut the penalties for marijuana use from 10 years to 90 days. The Senate also agreed to reconsider existing convictions.
Still, when Sinclair was released from prison the following Monday, it was hailed as a victory of the people over “The Man.”
Indeed, it was more likely the result of some really groovy timing.
“It was the culmination of so many things we’d been doing,” Peggy Bach recalled. “It seemed to us as if we’d really made it happen.”
Rock and revolution
The Ann Arbor District Library is marking the 40th anniversary of the
Freedom Rally in a number of ways. For more information, see aadl.org:
- • "Rock and Revolution" exhibit at the Downtown Library, 343 S. Fifth Ave., with a special opening reception with Michael Erlewine, Leni Sinclair and Gary Grimshaw on Friday, Dec. 2 from 7-8:30 p.m.
- A Commander Cody Band Concert at The Ark, 316 S. Main St., with special guest John Sinclair & Beatnik Youth on Friday, Dec. 9. Admission is free.
- The launch of a new website, "Freeing John Sinclair," starting Dec. 9 as part of the library's website, aadl.org.
- A panel discussion featuring John and Leni Sinclair, Pun Plamondon, David Fenton, and Genie Parker moderated by Professor Bruce Conforth at the Michigan Union, 530 S. State St., on Saturday, December 10, at 1 p.m.
While the rally was the Panthers’ public high-water mark, their work
didn’t end there. By 1972, with change in name to the Rainbow People’s
Party, the group had organized its Human Rights Party and gained seats
on the Ann Arbor City Council.
“We were able to do a lot of good for a lot of people,” said Fenton, who now runs his own communications company in New York City. “I learned everything I know about my career back then.”
By 1975, the commune had folded and its members began to disburse. The Bachs moved to Detroit to raise their family and organize at the local level. LaVasseur-Mullen moved to Hawaii, where she is a high school art teacher. Fenton moved back to New York to work for Rolling Stone magazine.
An era had ended. But Ann Arbor would never really be the same.
“A lot of us never saw one another again,” Fenton said of the reunion. “So this is really exciting.
“We were so young and half crazy, but now we’ve all grown up and are growing old.”
“We were able to do a lot of good for a lot of people,” said Fenton, who now runs his own communications company in New York City. “I learned everything I know about my career back then.”
By 1975, the commune had folded and its members began to disburse. The Bachs moved to Detroit to raise their family and organize at the local level. LaVasseur-Mullen moved to Hawaii, where she is a high school art teacher. Fenton moved back to New York to work for Rolling Stone magazine.
An era had ended. But Ann Arbor would never really be the same.
“A lot of us never saw one another again,” Fenton said of the reunion. “So this is really exciting.
“We were so young and half crazy, but now we’ve all grown up and are growing old.”
FATTENING FROGS FOR SNAKES 2011
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